Skip to main content

Domestic Photoshoot.......

For documentation, I decided to photograph some of my textile pieces in a more traditional, domestic setting. I chose the 50s as I felt this was the most appropriate housewife/domestic era, and worked really well with the apron pieces. I did research into the clothing style, hair and makeup to try and get it as accurate as I could. Luckily, a fellow art student had quite a vintage looking kitchen which we could use to shoot in, which further helped to emphasise this theme. 

I think this works really well, and gives strong context to the pieces, they start to become more than just pieces of art. I also like the contrast of the traditional setting and the more modern text on the apron. Furthermore, it's interesting to see how art can change once placed in a domestic space. They become utensils, everyday objects, rather than carefully crafted pieces of art. I think this is something that I want to explore further, and I would like to start to blur the line between the domestic space and art, something that Judy Chicago explored in her piece The Dinner Party. Chicago's use of ceramics and embroidery in a domestic style is similar to how I've placed my aprons and painted objects in the domestic setting. I find her domestic art in the gallery interesting, as not many galleries embrace this kind of art, and I think that should change. 

Domestic art shouldn't be looked down upon as 'feminine' art, it's challenging the expectations of the space and how this has changed over the decades. The home has always been seen as the woman's domain, and because of the changes within society and the introduction of gender equality, this is no longer the case anymore. I think it's good to embrace this area of women's oppression, and also good to embrace the mediums of the domestic space such as embroidery and ceramics, areas in which the art world looks down upon. 

Furthermore, I think I would like to do this again but with a more modern setting, and explore the differences between the two. I think it would be interesting to see a more modern domestic space, perhaps with a man in the kitchen rather than a woman, or a woman wearing a suit rather than the floral dress. I would also like to work with some of the images taken to create posters and other text pieces, using more modern feminist text, again bringing in a more modern element. This is something that I think I will work on during the next unit perhaps. 

Things to do next:
*more modern setting?
*combine some of the images with text - posters? postcards?
*explore domestic art?





















Comments

Popular posts from this blog

Screen Prints & Lino....

After doing the CMYK prints, I decided to experiment with the prints. The first lot of experiments I used my lino prints and printed on top of them. I had also cut out some smaller lino designs to print alongside the main lino print, and also decided to cut out most of the background and the text of my main lino design. I then printed each design separately - the main design first, then the flowers, then both lino's together. I really like how these designs have come out. I might try this out on my newspaper print, and then possibly stick it in a public space? Something that I'm considering. I like the contrast of the bold images over the text and I feel like these alone would be an effective series. I might just stick these up in a white wall and document them as a series to see what they would look like. Perhaps even individually. I might take this further and do more prints, perhaps experiment with different colours and perhaps introduce an element of collage, even perh...

BA2b - SELLOT Exhibition: Planning and designs....

As well as Anteros, I'm helping to organise another exhibition in relation to the ARTAGRAM exhibition that we did near the end of BA2a. For this exhibition we decided to explore the idea of commercialism, and what is considered art. We are using the gallery space as a pop shop instead, and will be creating products that we will hopefully sell. The products that we hope to sell include t-shirts, prints, postcards, sculptures, craft pieces and so on. For the initial stages, we have been brainstorming designs for the name of the exhibition, postcards and the initial poster designs and colour scheme. For the postcards, I made some designs based off of my practice - using feminist slogans and gender symbols. I stuck to the same colour scheme of pinks, whites and teal - which are going to be the main colours  used in our publication. I experimented with different effects on the text, used the same techniques that I used for previous di...

INTERCHANGE: Japanese Book Binding....

For the first workshop of the interchange event I chose to do Japanese book binding. I thought it would be good to learn a new skill, and after creating the books, I thought I could use these in our SELLOUT exhibition. There are 3 main types of Japanese book binding; Yotsume Toji (four hole) binding, Kikko Toji (tortoise shell) binding and Asa-No-Ha Toji (hemp leaf) binding. I chose the four hole binding and the tortoise shell binding. The first stages of Japanese book binding involve folding sheets of Japanese paper in half. We folded 20 sheets of paper in half to create 40 pages. We then flattened them down with a bone tool, covering the folded pages with photocopier paper before doing so. After the folded sheets were flattened, we collated them together, cut another sheet of paper to the size of the pages, which would be then be stuck to the cover later on in the process. Once the backing of the cover and the pages are all aligned, we then measured out the margin for th...